Monday, 30 November 2009

Props That We Used

Here is a list of props that we used and they were used by Ashriel for his character at the beginning and end of the video:

  • A hammer









  • A television













  • A stool

















  • A pair of sunglasses










  • A keffiyeh













  • A pair of black cotton gloves















Almost all of these props were provided by Reuben Gill, which is why we call him our producer.

Sunday, 29 November 2009

Production Stage (Fifth Shoot)

In this shoot we all went to my house with the intention of filming the destruction of a small 15” TV, caused by Ashriel's character, but because of certain circumstances the destruction was cancelled. In the TV’s place we destroyed two heavy Subwoofer speakers which should have made a big sound, big spark and loads of smoke. I had these speakers lying about in my cellar. We wanted to show things being destroyed and damaged in order to show elements of chaos and anarchy. Ironically we didn't even use the footage of the speakers blowing up in our actual video.
(picture of Reuben's cellar)

The opening and closing shots of our finished video was filmed in one long take (actually it took three takes but you know what I mean). Ashriel (dressed as the Grim Reaper) had to turn on the TV and then the screen would display static, then I zoomed in on the TV screen until it took up the whole of the camera's field of vision. Whilst the camera was zoomed in, Ashriel had get into position behind the TV and stand with his head bowed. Once I zoomed out, then panned upwards to view Ashriel and then his apperance is finally revealed to the audience. This scene was heavily inspired by the 'Come to Daddy' video by the Aphex Twin.

Tuesday, 17 November 2009

Production Stage (Fourth Shoot)

We filmed in the cementary in Chorlton and one of the subways in Mosside late at night as we didn't have enough good footage for our video timeline. We got some footage on Wilmslow Road as well.


Shooting on Wilmslow road took quite a while, as we filmed the shots with the intention of speeding them up on the Mac to create that sped up background effect. Poor Mohammed was stood stock still for about three-five minutes in during three different takes.

(picture of us filming at subway)